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Inside Conducting, by Christopher Seaman
Free Ebook Inside Conducting, by Christopher Seaman
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Review
(Seaman's) experience is wonderfully crystallized in the pithy observations here. TLS (Michael Downes) Engaging, uncomplicated overview of the conductor's role ... Very readable, with some good jokes, hoary anecdotes and nice analogies. CLASSICAL MUSIC's Books of the Year, December 2013 Chosen by Financial Times as a Classical Music Book of the Year One of Classical Music's Best Books of the Year With humor, clarity, and wisdom, Christopher Seaman gives insight into the mind of a conductor. A feast of inside scoops for music lovers. --Yo-Yo Ma, cellist and Artistic Director of the Silk Road Project This book is simply typical Christopher, something I would consider one of the highest compliments. Typical of Christopher to combine so much wisdom with so much wit. Required reading, I think, and one of the friendliest books about music ever penned. --Sir Simon Rattle, Chief Conductor and Artistic Director, Berlin Philharmonic OrchestraBR> To hear the human truths from an experienced music director, enriched by examples from his life, is marvelously illuminating. I learned many little things and some big ones. --Norman Lebrecht, author and critic Christopher Seaman, who is renowned for his teaching work at the Guildhall School of Music, and has conducted at the highest level, provides a barrage of straight answers. Most are directed towards real would-be conductors, rather than bedroom-mirror amateurs, but there's plenty for the outsider looking in. . . . The conductor's work is not often discussed in such plain detail. Conducting is 'like riding a horse not driving a car'. A tighter grip on the baton produces a harder tone. Keeping the arms moving upward very slowly can restrain an audience's desire to rush to clap after a quiet ending. . . . Demystifies the art and the figure of the conductor. THE SPECTATOR (James McConnachie) a>http://www.spectator.co.uk/books/8966601/inside-conducting-by-christopher-seaman-a-review/">Full Review/a> The art of conducting is hard to nail but Christopher Seaman does just that in exemplary fashion. . . . Interesting reading for all lovers of music, students of conducting as well as fellow professionals. . . . Serious practical application and in-depth musicological insight laced with the author's engaging humour. Highly recommended. MUSICWEB-INTERNATIONAL (Christopher Fifield)
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About the Author
Christopher Seaman has been successful at both ends of the baton. After four years as principal timpanist of the London Philharmonic Orchestra, he was appointed principal conductor of the BBC Scottish Symphony Orchestra and has enjoyed a busy international conducting career for over forty years. He is now Conductor Laureate for Life of the Rochester Philharmonic Orchestra, New York, and he continues to bring great music and wise words to audiences, students, and readers around the world.
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Product details
Hardcover: 284 pages
Publisher: BOYE6 (June 5, 2013)
Language: English
ISBN-10: 9781580464116
ISBN-13: 978-1580464116
ASIN: 1580464114
Product Dimensions:
6.8 x 1 x 9.5 inches
Shipping Weight: 1.3 pounds (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
16 customer reviews
Amazon Best Sellers Rank:
#1,487,579 in Books (See Top 100 in Books)
This is enjoyable and sometimes illuminating. Seaman covers a great variety of activities associated with conducting, often of a sort not suspected by a public more used to seeing conductors on the podium. He covers hidden activities, such as marking parts, promotion, dealing with difficult players, and much more. It's easy to read and the book can be devoured in a short time.However, some of it is a bit obvious and repetitive. It's fairly obvious that a conductor is going to need a good ear, for example, and we do hear about it quite a lot. Some of the anecdotes are just slightly amusing, and anyone who hangs out with orchestral players (as I have the good fortune to do) will have heard many better ones. Some of them probably need to taken with copious amounts of salt as well.Factually there are some serious disappointments. It's worrying that somebody who has conducted both Handel and Mozart should believe that the music of the Baroque and Calssical periods has to be taken at a strict, regular tempo (almost metronomically). This is a 20th century myth unsupported by 18th century sources. To suggest that Elgar sped up his music to accommodate it on 78 rpm sides shows little knowledge of recording in the shellac period. What we do know about it is that somebody, the conductor or an assistant, timed the piece whenever possible in concert and marked up the side turns in accordance with the conductor's live performances. This is why Elgar's recordings, like so many others, are such a valuable source for the study of period performance.That important details like this have not been researched or even seriously considered worries me in a book that is supposed to be regaling us with expert advice.However, read in conjunction with other books of its type its coverage is impressive, albeit in tiny, bite-sized chapters, and the writing is engaging and conversational.
When we attended concerts of the Rochester Philharmonic Orchestra, Maestro Seaman's home in recent years, we always made it a point to go to his pre-concert chats because they were so informative, charming, and witty. His book reflects that same personality. If you ever wanted to know what a conductor actually does both on and off stage, this book will reveal all. I'm not a musician, don't read music, and so the occasional musical references as reflected in excerpts of scores were lost on me, but nevertheless I would highly recommend this book to anyone who loves classical music. Extremely entertaining and informative read.
Having studied classical music myself and having once dreamed of becoming a conductor, I enjoyed this book immensily. I thuroughly enjoyed the peeks inside a conductors activities. I also enjoyed the series of quotes at the end of each chapter pertaining to that particular chapter topic. I think the organization of the material worked well.This book is *not* a textbook. I gather from a couple of the negative reviews that they were expecting more intellectual rigor. While I do think that some of the insights were educational, this book isn't likely to be assigned in conducting classes.
My friend is a conductor of a symphony and I wanted to understand his role better, but was afraid of asking a stupid question. So I bought this book and it is incredibly good at describing all of the parts that go into being a good conductor. Very easy and fast read. I am familiar with the music terms, but someone who is not could get context clues or google them while reading the book. The writer is a strong musician, but I think he was blessed with writing skills, as well. Recommended for jr high up.
Having seen and heard Maestro Seaman at work for many years with the Rochester Philharmonic Orchestra and having sung under his baton, I found this book absolutely delightful, funny and a real snapshot of his understanding of how an orchestra works with a conductor. I shall always remember his dry sense of humor - but in the same time, getting a message across to his players as well as the singers. A "must read" book for every conductor's shelf!
Thoughtful writing by a "musician's conductor". Having been privileged to work with Maestro Seaman I can report that his book is honest. His words reflect accurately his fine conducting skills as well as his respect for professional orchestra musicians.
Funny, witty and charming, just like Chris Seaman himself. Loved it! Conductors are a huge subject, and who better to comment than one of their own.
very good and insightful read.
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