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Sunday, February 23, 2014

Download Ebook Charleston: A Bloomsbury House and Garden

Download Ebook Charleston: A Bloomsbury House and Garden

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Charleston: A Bloomsbury House and Garden

Charleston: A Bloomsbury House and Garden


Charleston: A Bloomsbury House and Garden


Download Ebook Charleston: A Bloomsbury House and Garden

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Charleston: A Bloomsbury House and Garden

Review

a fabulous DIY story, with lashings of eminent Edwardians

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About the Author

Quentin Bell (1910 – 1996) the younger son of Clive and Vanessa Bell, grew up at Charleston. He was a painter, sculptor, potter and art critic, and held chairs in Fine Art and History of Art at the universities of Leeds, Oxford and Sussex. His books include the prize-winning Virginia Woolf: A Biography, Bloomsbury and a memoir, Elders and Betters.Virginia Nicholson is the elder daughter of Quentin and Olivier Bell. Virginia spent her childhood holidays at Charleston, and is now is a trustee of the house. She is also the author of a series of acclaimed social histories, including Among the Bohemians: Experiments in Living 1900 – 1939. She is married to a writer, has three children and lives in Sussex.

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Product details

Paperback: 160 pages

Publisher: Frances Lincoln; 7TH PRINTING edition (May 1, 2004)

Language: English

ISBN-10: 071122370X

ISBN-13: 978-0711223707

Product Dimensions:

9.8 x 0.5 x 9.8 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

22 customer reviews

Amazon Best Sellers Rank:

#784,220 in Books (See Top 100 in Books)

I love this book! I want to travel back in time and visit or live in Charleston Farmhouse, count the Bloomsbury Group among my friends, create or decorate everything in sight, linger in the gardens, and talk about fascinating things with the exceptional people who spent time there. This wonderful book is so evocative of time, place and people that it leads one to dream.The artists Duncan Grant and Vanessa Bell (Virginia Woolf’s sister) moved to Charleston in the Sussex Downs in 1916, during WWI, and their life there is the focus of this gorgeous book. There is the sense of an almost childlike exuberance in their original design and decoration of every possible surface in the house, including walls, textiles, furniture, ceramics, rugs, even lamps, and in the gardens the creation of ponds, fountains, pathways, private refuges, mosaics, sculpture, and color everywhere. Photographer Gavin Kingcome has supplied many stunning, intimate photographs, while Clive and Vanessa Bell’s younger son Quentin Bell, and his daughter Virginia Nicholson, who spent so much of their lives there, bring it to life with photos and stories of everyone who lived and visited there. Their memories are of intellectual, interpersonal and artistic pursuits coupled with much laughter and deep sadness, too. Many of the anecdotes reveal unexpected, funny or personal details which add to, or even change, one’s sense of who the individuals of the Bloomsbury Group really wereI highly recommend this book, even to those with no acquaintance with the Bloomsbury Group. It is a joy to experience. I am not artistic, but I told a friend the spirit of free expression I get from it makes me think I could be. I plan to own this book, so I can escape to Charleston and spend time with its residents over and over again.Thanks to NetGalley and White Lion Publishing for a Digital ARC of this book, of which I give an honest review.

As an Anglophile and book lover this is a must, just before hopping on a plain to visit there! Or simply to be impressed by creativity and beauty. One will want to visit one day! This is a classic!

I "thought" I knew a lot about this beyond-unique home and its inhabitants; but this beautiful book has provided the Complete Story.....with endless visuals. (the best photos of Charleston I have ever seen) Two books in one, the main text tells the story of the family and friends who occupied the home with additional emphasis on the evolution of the various rooms, PLUS the extensive italicized photo captions provide further insights about each room and the accoutrements that appear in each photo. There is also a brief mention of how the home was (thankfully) rescued from oblivion, and became a destination for those seeking to see this wonderfully-creative environment for themselves. Welcoming and one-of-a-kind, this home is a perfect reflection of the creatives who lived there (not to mention, exuberant visitors) and the "evidence" is everywhere. No cabinet door, or end table was safe from the paint pots and brushes; and "spontaneous" hardly describes the artistic approach of the resident artists. Again: thankfully!This book succeeds on many levels.....and I recommend it to those who might be rallying their courage to create a home environment that is truly-unique and fully-expressive. This home proudly affirms: "Please all, and you please none". Lovingly embellished, and lavishly emblazoned -- Charleston is an historic residence that continues to inspire. Super book!

This is a lovely, loving homage to a place and those who lived there. The text is interesting and revealing, while the photographs are marvelously evocative. It's one of those rare coffee-table books that is a good read. Fans of the Bloomsbury Group will want this book not so much as a keepsake, but as an important part of their Bloomsbury library collection. Fans of intimate interiors (intimate portraits of intimate interiors) will love this book, too. It's beautiful. Each room is discussed and portrayed, and then, as a grand finale, the lush garden, a series of outdoor "rooms," is featured. I recommend this book to anyone for whom places are alive. My only caveat is that if you are not fond of The Bloomsbury Group (or are among those who are scandalized by the way they lived their lives), there's no reason to buy this book. Its frank contents will just upset you, and the artwork will seem amateurish. Charleston is, as the cover says, "a Bloomsbury House and Garden."

A beautiful pictorial presentation of a much-loved home.

If you love art history, you will really love it.

As I am an admirer of the art of Vanessa Bell and Duncan Grant, and also an advocate of unique interior decoration, this lovely book captivated me. Each chapter details a room in the Charleston home, and describes in writing and photographs not only the decoration-- the furniture and the paintings-- but also the persons that inhabited these rooms.Quentin Bell and his daughter give us a first person perspective of the life and times of these remarkable people; the famous Bloomsbury group, as well as other family and friends.Their unconventional living situation, as well as the time in which they lived--the travails of the first and second world wars-- hardship and loss, but also a great commitment to their family and their art--it makes for a compelling story.The detail of the photography was the purpose of my purchase, and it did not let me down. I am very happy to review again and again the unique way in which they imprinted their own artistic perspective upon the furniture, the walls, and the doors of their home! I am so thankful that Charleston was preserved, and that I can visit it as often as I wish through the pages of this unique book!

Perfect.

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Thursday, February 6, 2014

Ebook REVOLUTION, by Deb Olin Unferth

Ebook REVOLUTION, by Deb Olin Unferth

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REVOLUTION, by Deb Olin Unferth

REVOLUTION, by Deb Olin Unferth


REVOLUTION, by Deb Olin Unferth


Ebook REVOLUTION, by Deb Olin Unferth

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REVOLUTION, by Deb Olin Unferth

Review

“This is a very funny, excoriatingly honest story of being young, semi-idealistic, stupid and in love. If you have ever been any of these things, you'll devour it.” ―Dave Eggers“Revolution calls itself a memoir, but Deb Olin Unferth's tale of dropping out of college to join the Sandinista revolution is something altogether stranger and more dazzling.” ―Time Out New York“There is something in Unferth's combination of spare language and intelligent observation, her darts of emotional insight shooting through a highly personal screen, that is reminiscent of Joan Didion. That's a lot to live up to, but the two writers share a sense of beauty and loss and get something on the page that implies something else just out of reach.” ―Los Angeles Times“Unferth's application of her imagination to her subject…evokes what David Foster Wallace refers to as ‘the click,' a feeling one gets when reading work that's firing on all cylinders.” ―Christopher Sorrentino, Bookforum“Unferth surely can write...You find yourself re-reading descriptions…simply for the pleasure of the language.” ―Chicago Tribune“[O]ne of the best memoirs of the past several years. It's a difficult book to stop reading; Unferth is charming, charismatic, and breathtakingly smart… [Revolution is] more than enough to catapult Unferth into the ranks of America's great young writers.” ―Bookslut“The uniqueness of its love story sneaks up on you.” ―The Week“Unferth's depiction of the futility of Deb's odyssey is devastatingly frank…At the heart of Revolution is Unferth's slightly eccentric take on the venerable confusion of the political and the personal…how does one become a person? How is the person to be made?” ―Madison Smartt Bell, The Nation“The book is sly, devastating, and savagely funny, with style to spare.” ―Boston Phoenix“This clearheaded and funny memoir captures the grit and chaos of a tumultuous moment in Central American history, but it's really a coming-of-age story.” ―Mother Jones“Hers is a bildungsroman for the Believer set… impossible to dislike…The jokes are crisp and understated, the sentences clean and knapped.” ―New York Observer“Eighteen and in love, the possibilities seem endless in this endearing coming-of-age book, in which the author returns years later to Nicaragua to come to terms with that tumultuous period in both world history and her own life.” ―New York Post“Here's the beauty in this very funny, very sweet, magnificently written short memoir: being young and in love and on a noble quest...maybe I know better but it sounds just grand!” ―Jewish Book World“Unferth writes with a beautiful insouciance…[T]his is good and bad news -- love doesn't go away. It just doesn't go away -- it changes into something else. Amen.” ―Newsday“Unferth's surprising voice and precise rendering lend her memoir its particular power.” ―Flavorpill New York“The way you'll actually feel, reading [Revolution], is too big to name, too expansive and breathtakingly great to minimize.” ―Corduroy Books“Revolution is a ruefully funny memoir that surprises and delights at nearly every turn--through style, subject matter, and a chronological structure that hiccups with flashbacks and flash forwards.” ―The Rumpus“Unferth writes with a sly, understated appreciation for the absurd…A dryly humorous memoir of love, travel and wide-eyed idealism.” ―Kirkus“[Unferth] excels with a wry, self-deprecating voice that propels the tale forward.” ―Publishers Weekly“[Unferth] creates a memoir of unique lucidity, wit, and power.” ―Booklist“Deb Olin Unferth is one of the most ambitious and inspirational writers working today. Her memoir of idealistic, bewildered people-in-training befell me like a fever for which, I'm happy to report, there appears to be no cure. An encounter with Unferth's prose is to be permanently, wondrously afflicted by its genius.” ―Heidi Julavits, author of The Uses of Enchantment“Revolution is the best of many worlds: misconceived youth, sharp humor and sharper characters, and mostly, for me, the chance to witness a brand of paragraph-to-paragraph artistry that is much too rare.” ―John Brandon, author of Citrus County

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About the Author

Deb Olin Unferth is the author of the story collection Minor Robberies and the novel Vacation, winner of the 2009 Cabell First Novelist Award and a New York Times Book Review Critics' Choice. Her work has been featured in Harper's Magazine, McSweeney's, The Believer, and the Boston Review. She has received two Pushcart Prizes and a 2009 Creative Capital grant for Innovative Literature and was a Harper's Bazaar Editors' Choice: Name to Know in 2011. She teaches at Wesleyan University and currently lives in New York.

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Product details

Paperback: 226 pages

Publisher: Griffin; Reprint edition (February 14, 2012)

Language: English

ISBN-10: 1250002680

ISBN-13: 978-1250002686

Product Dimensions:

6 x 0.6 x 9 inches

Shipping Weight: 1.6 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#1,598,622 in Books (See Top 100 in Books)

Although I agree with the criticism some have given this book, I also think that's what makes this memoir so fascinating. Unferth and her boyfriend had no idea what they were getting themselves into!I totally relate to this book and had similar ideas of my own to go join the Revolution. My boyfriend (who later became my husband, then my ex) was Salvadoran so he knew it was no joking matter to go join a guerrilla group or any other group during the civil wars in Central and South America.We even had some friends who were in a punk rock band that went to Nicaragua after the Revolution. The more I heard, the more I wanted to go. I finally did go to El Salvador, but my boyfriend's family made sure I didn't get into any really bad situations.It's interesting that of all the people I met who had been to Nicaragua, not one of them told me the raw truth that Unferth tells here. I had no idea that it would have been so difficult! Yes, I knew there were very young soldiers who were indoctrinated to believe anyone who cared about the people were Communists (this was how it was in El Salvador). I knew that the Sandinistas were mostly young idealists who knew what hunger and violence was like (El Salvador too, that's how both sides were able to recruit so many teens). But I never knew about the day to day difficulties of lack of food, money and jobs, and the abundance of diseases that could KILL you!Unferth bares her soul like few have done, especially as it relates to Central America, idealists and trying to understand another culture.One of my favorite facts that Unferth brings up is that the locals didn't call us American and European idealists "Internationalistas," but instead referred to us (or them, since I didn't go) as "Sandalistas" because of the fact that almost all of them wore some kind of sandals! They may have arrived in Birkenstocks, but eventually had to wear whatever some local shoemaker with no resources could make for them.I must admit that the novel made me very glad that my headstrong Salvadoran boyfriend never gave in to the silly whims of an American girl who, at that time, romanticized the entire idea of helping poor people make a better life for themselves. It truly was NO JOKE. Knowing me, I might not have made it back alive!Sherrie Miranda is the author of "Secrets & Lies in El Salvador: Shelly's Journey"P.S. I should note that the book I read had a different (more appropriate) cover. I don't know if there were many changes made to this edition.

Deb' writing style created in my mind images of the characters and the surroundings. Even imagined smells. Loved the story.

Is it easier to tell the truth in fiction or nonfiction? Deb Olin Unferth, author of the short-story collection Minor Robberies and the novel Vacation, has opted for nonfiction this time around. In her memoir Revolution: The Year I Fell in Love and Went to Join the War, a clueless girl and her Christian boyfriend want to go to Cuba but "don't know how to get there," so they head south instead, toward a Central America caught up in the Cold War.It's 1987, two years before the fall of the Berlin Wall. In Nicaragua, the Sandinistas have deposed the Somoza family but struggle to feed their people and hold back the Contras. The bloody civil war in El Salvador is approaching its crisis. Honduran and Guatemalan death squads routinely gun down campesinos in the mountains, insisting they are insurgents. Manuel Noriega is el presidente of Panama--for a little while longer."Dear Mom and Dad," Debbie writes from Nogales, Texas. "I'm sorry to tell you in this way, but I've left school and am going to help foment the revolution. I am a Christian now and I have been called by God. Due to the layout of the land, we are taking the bus."Please read the rest of this review at [...]

I read this memoir in one day. I remember the Sandinistas and Father Romero and and all the South American Turmoil in the 80s. Deb has artfully woven the political and social upheaval in South America and tells her own personal tale of love, youthful ideals and rebellion. This memoir makes a statement about revolution on the political and personal level and Deb spins a thoughtful, literary testament to a time and place in her life painted against a modern revolution. I highly recommend this memoir. I saw Deb discuss her book and read. She is a diminutive woman in stature but not in talent. Good Writing!

Two things stand out for me about this book: 1) The author was so clueless at a young age and later that it was frightening, and 2) The reader gets no real feeling for what it was like to be in the countries visited during this time period.I found the cluelessness to be ultimately boring and bewildering, and since I didn't learn anything about Nicaragua or anywhere else she went in this slim and frivolous book, I can't recommend it.When I noticed that the author is now teaching at Wesleyan, my first thought was, "My God, this person is now teaching our children?" Hopefully she has learned a lot in the intervening years.

Picture yourself 18 years old, a freshman in college and on your own for the first time in your life. With your first taste of freedom, you fall for the wrong boy and run off to South America because he thinks it is a good idea. Deb Olin Unferth does exactly this. I kept asking myself, why would anyone do this? Well, Deb answers like a typical unsure 18 year old with this memoir. There are some seriously funny moments in this book, but I was a bit frustrates in a couple of stories where they just kind of ending with "I forget" or "can't remember", but then I realized I couldn't remember anything from my time as an 18 year old except that I thought I knew everything.Her revolutionary period didn't involve fighting but lots of short stints of being domestic help since some one needs to help the kids displaced by war. Her recounting of helping in an orphanage is truly inspired. She decides that she will help the kids learn to speak English and farm. All noble ideals except the she doesn't know enough Spanish to teach them English and the kids know more than her about gardening. She buys flower seeds instead of vegetables. This is a very wonderful read for anyone who wished they ran away to rebel, but didn't have the guts. I received this book from the publisher at no expense in exchange for my honest review.

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